- ARCHIVE  /  EXPERIMENT -

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"DON'T TELL GOD YOUR PLANS"

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"DUBROVNIK" -DOUBLE CHAISE LONGUE-

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"DON'T TELL GOD YOUR PLANS"

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base station-02 2014-7-26-13:28:29

"DON'T TELL GOD YOUR PLANS"

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"DON'T TELL GOD YOUR PLANS"

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"DON'T TELL GOD YOUR PLANS"

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"DON'T TELL GOD YOUR PLANS"

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"008734" -RADIO CONTROLLED UNDERWATERCAMERA-

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"DON'T TELL GOD YOUR PLANS"

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"DON'T TELL GOD YOUR PLANS"

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"DON'T TELL GOD YOUR PLANS"

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Less is More

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"DON'T TELL GOD YOUR PLANS"

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"DON'T TELL GOD YOUR PLANS"

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"DON'T TELL GOD YOUR PLANS"

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"DON'T TELL GOD YOUR PLANS"

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"DON'T TELL GOD YOUR PLANS"

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Lemon Detox

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"KARMA-COMBAT                studies        

<tools>       > converted laser beam device  (3D-scanner)

                    Nikon D800 camera- variable exposure times

                       > tripod camera support

                    > human body

                    > "achitectural" context

                    > experimental drive + instant technical and compositional corrections / serendipity.

 

<use/composition>

 

                  > concept:    Karma-combat", a research on "exploring anthropology", movement vs time.  

 

                   > technical:   provoking a long exposure (in a dark environment) and simultaneously "lightpainting" the body.

                                           exploring the human body by converted laserbeam device (3D-scanner abuse)    

                                        Movements compose the image-field   (distorsions).     One body...different creatures in conflict.

                                        No digital image manipulations/ adjustments (photoshop) are used!

 "DON'T TELL GOD YOUR PLANS"  -series 

<tools>                         > converted laser beam device (3D-scanner /parts)

                                       Nikon D800 camera -long exposure 

                                             > tripod camera support

                                       > naked human body

                                       > experimental drive (technical and compositional).

                                       > healthy dose serendipity

 

 

<technique/composition>

 

                                    > concept:        "laser light bodypainting project"  exploring the human body by converted laser beam- and 

                                                                 image capturing devices.

                                                            "Don't tell God your plans", a psycho-antropology artistic research.

                                        

                                         

                                       >  used techniques:   "laser light body painting"

                                            provoking long exposures in specific dark environments + simultaneously  "light painting" human bodies.

                                         exploring the human body by converted laser beam- and DIY-image capturing devices. (studies / research)

                                            The tormented body movements compose the image field   (distorsions).

                                            Painting several body parts  (with laser light-beam/during longer exposure times) and leaving others unpainted,                                                 creates new physical structures.  ("photo"+"graphy" -instant "painting" with "light"-)

                                               No digital image manipulations/ adjustments (photoshop) are used!

 

 

"I DIED BEFORE, I'M NOT IMPRESSED"             "consuming spatial sensitivity"        

<tools>      > led spots (vertical / right-angle)

                   > Nikon D800 long exposure + tripod camera support

                   > one human body

                   > moderated / manipulated filmspot.

                   > experience, serendipity and "fingerspitzengefühl" to provoke the global atmosphere,

                       the skin texture/vagueness and outline.

                   > experimental drive and instant technical and compositional apprehension / instant corrections.

 

<use/composition>

               > concept: "I died before, I'm not impressed"   construction (creation) vs deconstruction (distortion).

                               

 

                 >  used techniques: 

                                   The light (Led-spot), the positioned camera with remote control, the length of the                                                                        parameters:   exposure time,  the body movements,  experiment and serendipity.                              

           

                                 

"YOUR SOUL DESERVES TO DIE TWICE"  -series                          

<tools>         

                  > Nikon D800 long exposure + tripod camera support  (night-vision)

                      > human body

                      > converted "light painting" tools. 

                      > experience, serendipity and "fingerspitzengefühl"  to provoke explicite atmospheres,

                          the skin texture/vagueness and silhouettes.

                      > experimental drive and instant technical and compositional corrections.

 

<use/composition>

 

                 > concept:     "consuming spatial sensitivity"

       

                  >  technical: 

                                      The  experimental "light paintings tools", the positioned camera with remote control,

                                      the length of the exposure time, the body movements are the main parameters.

                                                                                          

                                                                                          

                                                 

"YOU JUST BE MYSELF" -series                          

<tools>         > led spots (vertical, right-angle)

                      > Nikon D800 long exposure + tripod camera support

                      > human body

                      > moderated / manipulated filmspots (movement)

                      > provoking explicite atmospheres, skin texture / vagueness and silhouettes.

                      > experimental drive and instant technical and compositional corrections, experience, serendipity

 

<use/composition>

 

                 > concept:     "consuming spatial sensitivity"

       

                  >  technical: 

                                      The light (Led-spots), the positioned camera with remote control, the length of the exposure time,                                                                       The body movements are some parameters to obtain these studies.

                                                                                          

                                                 

 "MY SHADOW ON YOUR WALL"                                                                                        -"light penetration"-

                                 

       

                              exploring light / anthropology / body spasms / serendipity / exposure time / 

                                consuming "spatial emotiveness"     Body distortions and "light-serendipity".                                                           

"SYMBIOTIC ANTIBODIES"                                            

<tools>       > interacting human bodies / film / video-images / "tv-treated-techniques" 

                    > merging bodies / movement / camera / long exposure

                    > experience and "fingerspitzengefühl".

                    > experimental drive and instant technical and compositional corrections.

 

 

<use/composition>

 

                  > concept:   "Symbiotic antibodies"

                                     exploring the human body, interactions between bodies,                                                                                      merging bodies, movement, distortion, symbiosis.

                   

                   technical:  provoking movement / body interaction / long exposure/ symbiosis.

 

 

                > concept: "when flatland meets fatland",

                                            inspired by the book "flatland -a romance of many dimensions- (1884) by Edwin Abbott Abbott.

                                            "Interdimensional datadating": designing methodes by alternating "dimension switches".(example: 3D-object>

                                         2D-shadow ("shadow manipulation")> "reformed" 3D-object. ("reverse engineering")

  

"WHEN FLATLAND MEETS FATLAND"  (-SERIES)   

09  

"PIXEL DISORDER"        

<tools>  

         Nikon D800 camera / film camera (support) / drone.

         > DIY converted handscan device made from flatbedscanners.

         > old tv-screen (pixelated)

       

 

 

<use/composition>

 

         > concept: "pixel disorder", exploring pixels ("pixel digging")

              distortion/pixel movement/layer overlap/sharpness/vagueness. 

                           

          >  used techniques: making filmshots (cam/drone/...)

           (movement, zoom in/out), projecting them on the tv-screens,             

           scanning the screens by DIY converted handscan devices

           All experimental work takes root in a "think process, not product"-point of view.

           "Process", encouraged by experiments concerning a wide scale of image-capturing techniques. 

 

 

"TV-TREATED"                                                        

<tools>     (depending on the different projects):

 

                 > film camera

                  > Nikon D800 camera (+tipod camera support)

                  > DIY handscan device

                  > different screen types (pixelated)

                 

 

 

<use/composition>

 

                 > concept: "tv-treated", "exploring pixels/ pixel digging".

                                       A search for rasters, pixels as a result of the screen structure.                                                                                                                vagueness/sharpness/movement/layer overlap/...

           

           

                   >  used techniques:   images (photo/video/tv-screens,...), mixed media.

 

01

"ASHES TO DUST, DUST TO MASS" -series              

 <tools>         > lightbeam - theater spot

                      Nikon D800 camera -variable exposure times

                      > tripod camera support

                      > dark room / pulverized human ashes (dust) blown in the air.

                      

 

<use/composition>

 

                    > concept:   "ashes to dust, dust to mass...", a research on  "upgrading dimensions 1D>4D+".

                                          Get yourself -postmortem- upgraded / reïncarnated. 

                                          ref 1/.: inspired by the book "flatland" by Edwin Abbott Abbott           (1884)

                                          ref 2/.: "the powers of ten" C&R Eames  (1968)

 

           

           

                      >  technical:  provoking a long exposure (in a dark space) ashes/dust blown in the air.

 

 

 

 

<tools>  

                    Nikon D800 camera  - long exposure (human/enviroment-series)

                    > tripod camera support / remote control.

                    > one human body / object / architectural context

                    >  variable exposure times

                  

 

<use/composition>

 

                  > concept:      "extracting dimensions", laws concerning 3D-pespective views are extracted

                                            and the "study object" is brought back to a reconstituted 2D-reproduction /                                                                                             composition. (example (human-series): stone table as a projection field)

                                          

           

                    >  used techniques: 

                                         - an extended exposure and simultaneous body movements compose

                                            the image field (conflict/distorsions).

                                         - Dimension reduction.          

           

                

"TALES FROM THE CRYPT"    -"extracting dimensions"-              

"TIME SHIFTING"                              

<tools>  

                   Nikon D800 camera / film camera  (support).

                   > drone (airport images)

                   > DIY converted handscan device.

                   > old tv-screens (pixelated)

                   > dancers (performance/choreography A.T. de Keersmaeker)

                   > experimental drive / instant technical and compositional corrections.

 

<use/composition>

 

                  > concept:    "time shifting", exploring pixels / "pixel digging"

                                                  distortion /pixel movement / instant manipulation while "shooting"

                           

                    > technical:   making filmshots ( camera / drone/...)      (movement, zoom in / out),

                                          projecting them on old tv-screens  (pixels), scanning the screens.

                                         -with DIY converted handscan- (tool builder)

           

 

 

"DRIFTING DISTRICTS"                                                 

<tools>  

                      > drone + camera.

                        > DIY-converted handscan device.

                        > tv-screen (pixelated)

                        > urban subject / architecture.

 

<use/composition>

 

                   > concept:  "drifting districs", exploring pixels  ("pixel digging")

                                            distortion / pixel movement / layer overlap / sharpness / vagueness. 

                           

                     >  technical:   making filmshots (cam/drone/...)

                                               (movement, zoom in/out), projecting them on the tv-screens + screenscanning with DIY-converted handscan devices.

"DRIFTING DISTRICTS"                                                 

<tools>  

                      > drone + camera.

                        > DIY-converted handscan device.

                        > tv-screen (pixelated)

                        > urban subject / architecture.

 

<use/composition>

 

                   > concept:  "drifting districs", exploring pixels  ("pixel digging")

                                            distortion / pixel movement / layer overlap / sharpness / vagueness. 

                           

                     >  technical:   making filmshots (cam/drone/...)

                                               (movement, zoom in/out), projecting them on the tv-screens + screenscanning with DIY-converted handscan devices.

"A ONE-SECOND DREAM OF A TORMENTED LIGHT LINE, BEING A PLANE"                     

 <tools>        > converted laser beam device (3D-scanner)

                      Nikon D800 camera -variable exposure times. 

                      > tripod camera support

                      > achitectural" context

                     

 

<use/composition>

 

                    > concept:   "a one-second dream...", a research on  "light, aiming to become material".

                                                                           Transformation from "dot"(1D) >"line"(2D) >"plane"(3D),...

           

           

                     technical:   provoking a long exposure (in a dark space) and simultaneously "laser-lightpainting",

                                          sketching in a 3D-grid. (cfr. draping textile)

"VERTICAL HORIZON / WRAPPED"                                                               

<tools>          > alu frames + foil layers

                        Nikon D800 camera 

                        > tripod camera support

                        > inspiring "object / architecture / human / context"

                      

 

<use/composition>

                      

                    > a research on transformation / distortion.

                         > frames+additional foil layers/lens system.

                         > self-developed DIY-equipement, based on existing scanning devices  or photographic                                                                   principles in order to generate images in a way conventional image-capturing devices are limited.

"POETRY IN MOTION"                                                          

<tools>         > flatbedscanners installation (simultaneous scans)

                         > stripped rabbit

                         > experimental drive/technical and compositional apprehension.

 

 

<use/composition>

 

                 > concept: "poetry in motion",

                                        a research on:

                                                 -the overlap between "disgust" and diffuse beauty/poetry-

 

                                              -evolving project with human material                          

           

           

                     >  used techniques:

                                         - rabbit between two fladbedscanners / simultaneous scans.

                                            - exploring/ experiencing scanning principles.

"SCANNING WORLDS"                                  

<tools>          > flatbedscanners

                       > deep-frozen, sliced rabbits (components)

                       > experimental drive + technical and compositional apprehension.

 

 

<use/composition>

 

                     > concept: "scanning worlds", a research on "zooming-in"

                                         ("the powers of ten"- Charles&Ray Eames), the appearance

                                          of new worlds/ surfaces, scale switches, landscapes,...

                                         (cfr. holiday postcards: "greetings from locuspoint..."

                                         (locuspoints as placemarks in the rabbit's body/slices) 

           

                       -in search of human material-                                <evolving project>

           

           

                        >  used techniques:

                                 - rabbits,deep-frozen,cut into slices,scans.  (converted flatbed)

                                   - exploring/ experiencing scanning principles on organisms.

 

             

                  

"light penetration-04"

"PENETRATING SURROUNDINGS"                                                      

<tools>  

                     Nikon D800 camera -long exposure (+camera movements: "protein pills...check! Helmet on...check!" / "we'll meet in lucepotania")

                     > tripod camera support ("still hold the weight of you!")

                     > experimental drive / technical and compositional apprehension.

                     > provoking serendipity.

 

<use/composition>

 

                   > concept: "penetrating surroundings", impregnating and getting impregnated while roaming the world.

           

                     > used techniques:  experimenting with different techniques.

                                                     "teasing serendipity".